The Young PICASSO - Blue and Rose Periods
03.02. - 26.05.2019
This exhibition, the most ambitious ever staged by the Fondation Beyeler, is devoted to the paintings and sculptures of the young Pablo Picasso from the so-called Blue and Rose periods, between 1901 and 1907. For the first time in Europe, the masterpieces of these crucial years, every one of them a milestone on Picasso's path to preeminence as the twentieth century's most famous artist, are presented together, in a concentration and quality that are unparalleled. Picasso's pictures from this phase of creative ferment are some of the finest and most emotionally compelling examples of modern painting, and are counted among the most valuable and sought-after works in the entire history of art. It is unlikely that they will be seen again in such a selection in a single place.
At the age of just twenty, the rising genius Picasso (1881-1973) embarked on a quest for new themes and forms of expression, which he immediately refined to a pitch of perfection. One artistic revolution followed another, in a rapid succession of changing styles and visual worlds. The focus of the exhibition is on the Blue and Rose periods, and thus on the six years in the life of the young Picasso that can be considered central to his entire oeuvre, paving the way for the epochal emergence of Cubism, which developed from Picasso's previous work, in 1907. Here, the exhibition converges with the Fondation Beyeler's permanent collection, whose earliest picture by Picasso is a study, dating from this pivotal year, for the Demoiselles d'Avignon.
In terms of organizational effort and cost, this is the highest-caliber exhibition project in the history of the Fondation Beyeler. Years of preparation have been devoted to the presentation, which is certain to be one of Europe's cultural highlights in 2019. The works on display are all major attractions in the museums from which they have been assembled. The exhibition is being staged in cooperation with the Musée national Picasso-Paris and the Musée d'Orsay, where it will be shown in a modified form before traveling to Basel. The exhibition at the Fondation Beyeler is curated by Dr. Raphaël Bouvier, Curator at the Foundation.